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An exhibition of paintings and mobile artworks by Saffron Newey.
In a series of new oil paintings, Pastoral Muse features appropriated fragments and fusions of various art historical moments. Local examples of Australian Impressionistic landscapes by Sydney Long, Julian Ashton and William Piguenit are here reimagined and visited upon by Pre-Raphaelite nymphs and Baroque animals, among other historical art motifs. The works collapse time, history and identities into new imaginary, pastoral narratives.
Image: Saffron Newey, Bewept, Bewashed, Pastoral, (after J.W. Waterhouse and S. Long), 2022, oil on panel
Room sheet(PDF, 335KB)
Incinerator Art Space, 2 Small Street, Willoughby, 2068, View Map
2 Small Street , Willoughby 2068
Saffron Newey, "Lost in Yosemite (after A. Bierstadt, G. Stubbs)", 2020, oil on canvas
Saffron Newey, "The Damsel and the Molten Mountain (after W. Piguenit, W. Davis)", 2022, oil on board
Saffron Newey, "Visitation on the Hawksbury (after J. Ashton and J.W. Waterhouse)", 2022, oil on canvas
Saffron Newey, "Bewept, Bewashed, Pastoral, (after J.W. Waterhouse and S. Long)", 2022, oil on panel
Saffron Newey, "Baltic Reverie 01", 2022, oil on panel
Saffron Newey, "Baltic Reverie 02", 2022, oil on panel
Saffron Newey, "Dancing Tree 01 (after E. Gruner)", 2022, acrylic monoprint, silver and gold ink on archival paper
Saffron Newey, "Eos in the Rocky Mountains (after E. Landseer, A. Bierstadt)", 2020, oil on canvas
Saffron Newey, "Glistering Tree (after E. Gruner)", 2022, acrylic monoprint, silver and gold ink on archival paper
Saffron Newey, "Gloaming, Glamouring (after J. Weenix, M. deHondecoeter and S. Long)", 2022, oil on panel
Saffron Newey, "Return to the Sea (after H. Güde, M. Hoendecoeter)", 2020, oil on canvas
Saffron Newey, "The Bantam of Yosemite (after A. Bierstadt)", 2020, oil on canvas
Saffron Newey, "Trancendental Torpor (after J. Ashton)", 2022, oil on panel
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